books – gianna soderstrom

It has been said to me frequently by other writers that in order to withstand the rigors of writing for publication, we have to fall in love with the writing itself. We need to love the process. It is the process that will always be with us; the editing and book launching and getting authors to write blurbs – these will be short seasons that pass. They aren’t what we’re here for. We’re writers. We’re here to write.

And as much as I try to love the process, there’s a pressure that often gets in my way. The pressure of making my best work.

Don’t misunderstand me – it’s good to make excellent work, to give writing the best that I have in me. It’s good to edit and polish, criticize and critique, hone and practice. That is vital. That is important. Without an eye to challenging our own work, without looking for the ways we can grow, we won’t. But my ultimate goal is to write for hope, for joy. Books and stories have given me fresh eyes to see the beauty in my own life and I want my writing to do that for others, and I want the piece I’m writing right now to be that piece and I forget that I have decades to fulfill this goal of mine.

I may want to be remembered as a writer who inspired hope into those who felt drowned in the mundanity of their lives, but I have a lifetime of writing ahead of me. Possibly, even hopefully, the one manuscript I have right now will not be the only one I produce. After all, I have no plans to stop writing if/when this book finds its publisher. And so, this book, this writing, this project can take on its own perfect, most excellent shape without being the exact embodiment of everything I want to say in my writing. I am allowed to say more, later. Maturity will have a different voice, a deeper voice. There are experiences and moments and decades and conversations and heart-changes that will never fit into the one manuscript I have written right now.

I can polish and edit until this book is perfect, but I need to avoid the trap of needing to fit all of my words into this one project. I have more memories than there are pages in a memoir. I have more essays than there will be posts on my blog. I have more thoughts than there will be entries in my journal.

I think we who are artists underestimate maturity. We think that when we finish our PhD, we need to have achieved the pinnacle of clear, scholarly thought. We imagine that when we are published, we will have established who we are as authors. We sit down to the long game of seeing a project to completion and we think that project needs to be the completion of us – we forget that there are often so many, many more years ahead. We forget that people change and grow and our voices, our art, will change and grow with us. That we will change and grow with our art.

So don’t forget to close the chapter, sometime. It’s ok that some pieces are left out. Hone and edit and critique your work but remember that if it doesn’t not say everything that’s written on your heart, that’s fine. Your heart can say so much more than a book, an essay, a painting, a pottery vase could ever convey. So keep creating. We know in our minds that one project is not the end, but remember too that it is not the grand summary. It can express one thing you had to say. The next project will take it further, will add a new tambre to your voice. This is ok. This is maturity. This is knowing which work must represent which ideas, which growth. When you’ve published one book or sold one painting, you haven’t finished talking and we haven’t finished listening.

Hold fast, keep walking. Close a chapter and smile about it. There is more ahead than you can imagine.

My first memory of a valley was a deep, lush place near the home I was born in. We lived there until I was seven. I never knew when the route to our destination would take us through the valley; the rising walls of trees around us always came as a surprise, and always took my breath away.

This valley was a river valley. We wound down between the hills on one side and passed a tiny yellow house that was significant for some reason Mom can remember and I cannot. When I read about Anne Shirley’s visit to the home she was born in, that is the house I picture. As we slipped down towards this otherworldly place, Mom would sing Down in the valley, valley so low… We crossed a small bridge in the middle. I twisted around in my seat to watch while we wound up the other side. The first valley I met was magical.

I recently read Come Matter Here by Hannah Brencher. Chapter five is titled Walk in the Valley. Valley days are ordinary days. They are the opposite of mountaintop days. They’re days where you can’t see out the sides of where you’re headed. You just follow the running water up, up, trying to enjoy the beauty while you set your feet and heart towards the end of it all.

I loved my little valley growing up. I love the valley I can see now; I know exactly when I’ll drive through it. I look over the edge of the range and see it while I’m raising a trail of dust on the washboard-gravel roads.

I came through a season of metaphorical valley-days lately, just like the ones Hannah Brencher talks about. Somehow I’m living physically and spiritually and emotionally with a bird’s-eye view. When I look down past the grassy range towards the spread-out city in the valley below, I think of the openness of space I occupy, the openness of heart I experience, the open-handedness of God I see. It is helpful to see things from above once in a while.

My old journals give me hope. I’m not where I was those years in the valley. For years now I’ve been writing down the almost-insignificant things I’m grateful for. They’ve given me the hope and help I needed to trust God when I couldn’t see out the lush, green hills that were walls, no matter how pretty. I understand valleys differently now. Sometimes they’re just a place you drive through unexpectedly on your way somewhere else. Sometimes they’re places you live, in a little house woven about with dreams and stories you can’t remember.

I know those days will come again in a different way. I won’t be walking in the clouds forever. But looking down from above gives me courage. Mountaintops have their place too. Valleys – everyday ordinariness – can be lovely. Maybe it just takes a bird’s eye view to see it sometimes. Perhaps it takes the gradual descent through the hills singing all the while, the slow climbing on the other side, to recognize the beauty that the valley holds.

Tag: books

when you can’t say it all

bird’s-eye view