don’t rush a feeling

Sometimes when I am tired or sad or full of angst, I get annoyed at people who try to help me feel better. I don’t want to feel better right away. I need to get good and frustrated, to actually feel what I’m feeling, before I can start to turn it around. And sometimes people who want to help seem reluctant to let me feel my emotions. You can’t chase the rain clouds away before they’ve started raining. They’re not even your rainclouds if you don’t feel a few wet drops. It’s the same with the weird, sad, intense feelings. They need a moment to become real. If you welcome them in and offer them a glass of water, they’ll be more willing to leave when you show them the door. 

I’ve maybe had more tough days than normal lately. That’s probably true for all of us. We’re locked in these four walls and coming face to face with selves we didn’t quite know. That’s a hard thing all on its own – meeting parts of us we didn’t know existed and aren’t sure if we like. Don’t worry. You’ll adjust. Just don’t rush yourself. It’s ok to recognize angst and feel it and get to know it before you move past it. If you ignore sadness and hurt and frustration, they’re not going to leave, they’re going to hover. You may have less outright tough days but there will be a black-ish tension lying under everything instead of the open type of pain that comes when you sit down and make introductions. 

I’m not saying we should make Grief our roommate, give Frustration permission to rearrange the furniture, and let Angst do all the meal prep. There are limits. You like your couch where you like your couch, and it’s better to cuddle those throw pillows you’ve ordered online than it is to snuggle up with pain like a long-term houseguest. Besides, Frustration is notably terrible at remembering (or caring enough) to open the curtains and windows on a sunshiny morning, and frankly sunshine is as important for you as for your houseplants. Trust me on this. Open your window. I didn’t yesterday and look where that got me. Crabby by dinner time, and nothing short of two strawberry muffins and a walk under the stars would do for a cure.

While we’re talking about open windows, when you need a place to sit and get acquainted with all the heavy things walking with you lately, find an open window. The trees aren’t trying to fix anything. They know how to listen, murmuring their own indistinct and indirect sympathies. They won’t share your secrets with anybody but the nosy squirrels – and maybe your frustrations will get planted with the autumn’s acorns. In a hundred years you can walk through the forest and look for the strength of oaks that grew out of your pain. The birds will gossip about their own hardships in sing-song lilts. Hey that’s a good idea – sing like a bird. They say getting tipsy and embarrassing yourself with karoke break-up songs is good for a broken heart. Maybe it’ll help to get our own angst out in the sad songs we’ve saved from the last season of grief. And the breeze somehow knows just how much you do or don’t want a hug even without your saying. Having your hair teased around without needing to respond might be the most therapeutic thing yet.

Whatever happens, whatever it is pressing down on you right now, even as you’re lifting the blinds and wincing at the sun in your eyes, remember: There isn’t a quick fix. It’s a big feeling and it’ll pass, but it can’t go well if it’s pushed. Sometimes we just need to create a landing space for those things. Let them come to pass. If they’ve been greeted and acknowledged and offered a drink, they’ll be less clingy when we ask them to go. 

the silence behind art

There are weeks sometimes when I get deeply, horribly stuck behind a wall of writer’s block. I think any creative person can relate to this feeling. Perhaps it’s not even just a creative thing; maybe all of us sometimes feel as if we’re on one side of a wide brick wall and our best ideas, wildest thoughts, our ability to dream are all on the other side, within an arm’s length and completely out of reach.

That feeling is part of why I’ve been taking a break from this space. I didn’t want a break; I’ve been itching to write, but blanking on anything to say. And a big part of that was because of morning sickness. I’m expecting again – Yay!! But beyond that, I just haven’t taken the time or space to let the ideas I have simmer. That simmer is so important. Vital. The slow process of thinking is where our most curious, creative selves are born. And I think that’s an important thing to talk about.

I read recently that our modern perception of art as solely the artists unique, inner expression taking shape is, well, modern. Art didn’t always exist as a product only of one person’s genius, wasn’t just a window into one soul; it was created in and for community. And I believe that is true, and should maybe be revived, but I still would posit that for any individual to create something artistic, whether or not she creates in community, some part of that expression has to come from the inner world and life of the artist. Perhaps it’s as small as crafting the right shade of blue from a palette, or determining which word to use instead of its imperfect synonym. My theory remains – that all art comes in some way from the inner world.

It’s almost as if the wall of creative block we experience is a wall between us and our own thoughts.

I remember, last spring, feeling as if I had somehow drifted away from being a deep thinker. I felt like I was missing out on some level of thought that other people had access to. Unrelated to this lack I had identified, I was learning to spend more time in quiet and solitude as the warm days passed. I stopped picking up my phone, or bringing it on walks, or keeping it in my back pocket. I stopped being afraid of silence, of the way my thoughts slowly distilled into recognizable shapes.

I have realized, gradually, again and again, that the silence I was learning to practice has infinite value for art. The constant trickle of stimulation we find on our phones, our computers, our messages and playlists and newsfeeds don’t allow us the time we need to process any of the things we’re seeing. We can take things in all day long and if we don’t pause for a while here and there, we’ll never learn and understand it. We won’t have time to slowly morph the beauty on our pinterest boards or the content from Instagram into real inspiration if we don’t slow down and let our creative brains catch up.

I want to remind us to be silent, sometimes. Take walks without your phone, or savor your first morning cup of coffee looking out the window instead of scrolling. Eat a meal on your patio or balcony, in the sun, in the quiet. Replace some scroll time with an interesting podcast. And don’t be too bummed when you don’t feel your creative self coming back right away. It takes time. Give your mind lots of hours to percolate. Practice the simmer. Those deep thoughts will begin to resurface; art just requires a lot of silence.

beauty from ashes

“The Waldo Canyon fire burned all the way around camp,” Grant tells me. I’m impressed, and I see the hand of God in the story as clearly as if he were opening the camp gate to let us in. But to me it is just a story still. In the year of the fires I was in Minnesota, celebrating my graduation, finding a new job, planning travels for the next year. I didn’t understand just how close the fires had come until I began to explore.

I walked back to the horsebarn one evening. There are trails and work roads that split off into the hollow woods as I walk, and I notice that the forest is scarred and sooty. Black and gray trees point up like crooked bony fingers. They stretch down to the very edges of this tiny green valley, closer than I imagined. With practice you could stand at the edge of the barn and spit into the burn area. It is the same when I walk around the rest of the camp, stretching my legs on a cool afternoon and looking for the places I will walk with Erik in the lazy days ahead.

“This is Excursions Valley,” Grant explains as we crest a hill and walk down towards the cabins dotted along its side. There are more wildfire scars here. We walk in the spring-green valley and when we look up at the next hills their rounded tops are clearly arched against the blue sky. There are no evergreens filled with the low rush of breeze to obscure the edges of rising mountains here. No, there are only the skeletons. Here the green pines are gone and only seasonal grasses and the young whip-like  Aspens bring color to the hillsides.

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But there is color. The grasses have come back; their green ranks have pushed through the dry growth from last year and are springing up, brighter with every sunny day. Where mature Aspens grow in the mountains they form delightful streaks of bright green amongst the evergreens, and here instead of veins and pools of lighter green amid dark, they form a haze of bright growth around the bases of old burnt stems.

There is an unused wood stove in the Dining Hall that people have set wood paintings of encouraging sayings on. A small one near the front says Beauty From Ashes.  I remember it day after day when I sit at our kitchen table, looking out at the burned slope reaching down almost to the camp; the soft green haze of fresh leaves reaches a little higher and shimmers a little brighter every time I look. Glory and growth are springing up from the graves of old trees. Beauty from ashes.

I have given up on writing many times. There was a year when I scarcely wrote at all, even to journal. There were a few months when I pushed through a large project only to set it aside, unfinished, for over a year. I eventually began to consider it pointless to pick up again. The last season has seen me working and spousing and parenting all together and addicted to my phone in between. There wasn’t time or energy to write. There wasn’t quiet space to find creativity.

I’ve discovered the vitality that walking and silence bring to my creative side this season, and writing has been possible again. Fear has been sliding away. I’ve been pushing fear away; fighting for my words, my inspiration, my quietness. Some beauty is returning to this old love of mine.

I keep praying over my writing. I’d love to be famous you know, and perhaps I have it in me, but I don’t think that’s what my writing is for. If my goal is to be a well-known and well-loved author, it will get in the way of having a unified, sound marriage, of parenting with connectedness and wisdom and presence. Those goals are more important.

But God is the God who “can do far more than all we ask or think, according to the power at work within us…” (Ephesians 3:20) I keep asking for beauty to come from the ashes of my writing habits, my creative desolation. I keep asking that God would do far more than all I could ask or think – that he would use this creativity and desire for His purposes, that he would help me to focus on what is most important, and bring the writing to fruition in its own time.

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walks that don’t go anywhere

The first year I fell in love with long walks I was only an awkward, sincere teenager. I discovered sometime that summer a large stick I liked to walk with and it was replaced in the fall with a slender stick captured in the Boundary Waters by a friend who sympathized with my wanderings. My sisters teased and called them my “Moses Sticks” but I enjoyed my long rambles too much to mind them.

I grew up from then spending hours walking the gravel roads – roads that could not get me to any destination, but that took me out of myself, gave me the chance to breathe deeply and think quietly and wander widely. Even on a dreary day, I could walk a half mile to The Corner and it would suffice, somehow.

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I often thought desperately that I’d love to live in town, so that my rambles could take me somewhere; and I do enjoy being able to walk to favorite destinations, but I was surprised to learn that I missed my solitary rambles through the empty countryside. I walk to destinations less and less lately, opting to wander through the prettiest streets and past the bloomiest yards. I crave the solitude, the emptiness that turned me to entertaining myself with my own thoughts. Those long walks supplied me with time to think and reflect, and create. I miss that most – the creativity that was born of quietness.

I don’t know why it has taken me nearly two years to catch up with my own needs. I am walking more now, trying to make space for reflection and inspiration. Urban life still feels crowded, as if anytime I stretch my arms out I will bump something that is not mine, or be noticed by somebody who does not understand. I must stretch though, must keep my elbow room somehow, must find the space to breathe. So I keep walking.

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